Some more progress, the hull is now pretty much complete.
Painting
I used high build primer to get rid of most of the remaining minor perfections (but you always miss some) and then applier Halford’s spray grey primer. The finish looked pretty much OK at this point although it was possible to just detect some of the planking lines next to the keel. As these won’t be noticeable I decided to quit while I was ahead.
Marking out the waterline was a bit of a problem due to the curvy shape which made it difficult to use the normal method of running a pencil in a holder around the hull as described in Richard’s recent article. After a bit of thought I realised that the topsides were relatively flat and it would be easier to measure down from the deck at 2 inch intervals using the plan as a reference. This took care of the sheer of the hull. After that it was just a matter of joining up the dots. I used Tamiya 6mm masking tape to do this as it could be adjusted to give a clean sweep along the hull, essential under the canoe stern. I then masked off the topsides and applied Halfords red primer to the underwater body. This was then masked off and white primer applied to the topsides followed by two coats of Hycote Ford Ivory spray.
For the boot topping I took the easy option and used Trimline tape.
Portholes
Most of these full size James Silver motor yachts had smallish inset portholes but some, with presumably well heeled owners, sported elegant larger brass ones so I thought, why not, on my version and invested in 20 Radio Active glazed brass portholes. My first thought was that the brass might eventually tarnish. I had previously fitted brass portholes on my modified Dean’s Medea steam yacht kit and sailed it in the Canoe Lake at Portsmouth which I hadn’t realised was salt water. A week later I took the model out of its box and all the portholes had gone green with corrosion and I had to paint them with brass paint instead. Forewarned is forearmed so this time round I ordered some metal lacquer to protect them. However, tests on the lacquer showed that it would react with the porthole glazing and render them non transparent. Next step was to use a hole punch to cut out discs of Tamiya tape to protect the the porthole glazing while I applied the lacquer. So far so good, I now have protected glazed portholes. However the hull still needed spray coats of matt lacquer for its final finish so I couldn’t actually fit the portholes until this had been done as the spray could affect the porthole glazing.
The holes in the hull had to be drilled very carefully with increasing drill diameters and finally a very effective 8mm diamond brazed grinding tool bought off Amazon. Piercing large holes through an already painted hull was a bit nerve wracking so, all in all, quite a palaver and not cheap. Maybe I should have stuck with Vic Smeed’s original suggestion of eyelets! Out of 14 portholes, 13 holes were OK but one had a small 2mm gap to one side on the hull which needed to be filled and touched up.
Most of these boats seem to feature a strip of mahogany around the very top of the hull, about 3mm wide on my model. I did have some 3mmx1mm mahogany strip which was flexible enough to go around the stern but gluing it on would be tricky. The answer was to buy some 2mm double sided tape and apply that to the hull and press the sealed stripwood down onto it and this seems to have worked very well. After leaving it overnight I did hedge my bets a bit and used a small artists brush to run Superphatic glue along the top of the joint where it would seep in and reinforce it. It has now been on several days and seems fine.
Before fitting the portholes I gave the whole hull two coats of Halfords matt lacquer which actually gives a slight sheen.
In the photos you can see the cabin sides which are stained thin plywood.
Colin


