I hope that's not aimed at me, Paul.
Whilst, if I were restoring an antique, I would use pearl glue, heated in my cast iron pot, the veneer put on with my veneer hammer, I am happy to use a digital meat thermometer to get the right temperature. I am also fascinated by modern adhesives, materials and processes, whilst not being blind to their shortcomings.
As to dust, I always do dusty stuff outside which means taking my very heavy belt/disc sander out and putting on the plastic workmate. Same with the bandsaw. Hand grinding/milling of resins and wooden structures is also done outside with my extended minidrill cable or longer flexible drive.
Where I live it is almost NEVER calm, but breezy to damned near gail force. Today, in the sunshine the shed windows are rattling (styrene as supplied, not a good idea and will be replaced in better weather with glass)
I can't wear a mask as it steams up the glasses, although since my sight has changed to mean I can remove my glasses for normal bench work I have been able to wear a mask if I doubt that the breeze is sufficient or when using self-etch primer (the only paint I tend to use in the spray gun these days).
What annoys me most of all is peoples' easy readiness to say, "Oh I don't have the skills", when they've never even tried. Heaven knows there are enough articles and forum posts on how to do summat to have everybody at least partly competent. I was carving balsa slot car bodies when I was 13 and had already built my Crash Tender with my Dad 2 years earlier. Of course it helps to be really interested in order to retain information, I've always found.
I recall being informed that the wood we apprentices had used to make a 1/500th scale model of Cardiff, Mansonia, was carcinogenic. NOBODY else in the firm (John B. Thorp) knew and we all started wearing masks. That was only 1969 and was genuinely news to us all, bosses included.
Cheers,
Martin